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Our Experience

We have worked on numerous movies, supporting actors, directors, producers, stunt performers, costume, hair, makeup and more, and we understand that the film industry can be tough, with very demanding schedules.

It is not uncommon for us to hear stories of physical and mental deterioration, perhaps even “burn out” as a result of the intense nature of film work. We see people passionately battling through a movie, often sacrificing their health for the sake of that production; only to fall ill during or immediately after the production has finished.

Whilst this seems to be common we do not think this is normal. It is our role to change this, and to help you feel as good or better when you finish a production as when you began.

View Credits

Riz Ahmed - Actor

Riz Ahmed - Actor

Fit For Films are amazing. Their holistic approach, range and depth of knowledge, attention to detail, and clarity and simplicity of methods make them a brilliantly effective guide in any process of body transformation.

Bennett McGhee - Producer

Bennett McGhee - Producer

Fit For Films were great to work with. The preparation, execution and after care were always sensitively and professionally handled as well as spelt out in as much detail as needed so that all engaged felt reassured and comfortable with the process of changing physical states in a short space of time. The results were fantastic and I look forward to working with them on many more projects to com.

Finn Wittrock - Actor

Finn Wittrock - Actor

“Fit For Films was absolutely crucial to nearly every member of the cast of Unbroken. We all had to achieve an emaciated look for the film, while still maintaining the energy to act for months of 12-plus hour days.”

Film Roll

Fit For Films is well established in the film industry for its role in supporting actors, directors, producers, stunt performers and other crew members. Helping them look, perform and function at their physical and mental peak.

Team Dave

Dave Grant

Dave spent his youth training in gymnastics and acrobatics and went on to hold many British titles, competing internationally and representing Great Britain on a number of occasions.

After his successful competitive acrobatic Career, Dave went straight into performing and has never looked back in the career that is now spanning over 18 years.

He has been a professional Stunt Performer for nearly a decade and you will have no doubt seen him on screen being set on Fire by Khaleesi’s dragons in Game of Thrones and as a Stormtrooper in the recent Star Wars movie.

Dave has also doubled for some of cinemas biggest stars including Jonny Depp, Michael Fassbender, Colin Farrell, Ewan Mcgregor and Sam Claflin. This gives Dave the unique insight into the film industry and the demands it has on the stunt performers to stay in good shape, acquire skills and stay focused so they can perform the stunts for the people you love.

Our mission is to inspire, educate and support
your journey to the best version of you. We use behind
the scenes insights and interviews with film industry
professionals to show you first hand what it takes to
be fit for films.
Team Steve

Steve Grant

Steve is one of the UK’s leading and award winning Nutritionists & Functional Medicine Practitioners. Steve has supported those with health, performance and physiques goals for well over a decade and supported well over a 100 clients in the film industry alone since 2010, working on multiple movie productions. His clientele range from directors & actors through to stunt performers, wardrobe and anything inbetween. Steve also runs busy clinics in and around London supporting people from all walks of life.

Working with Fit For Films, Steve is looking to revolutionize health support provide to those working in and out of the Film industry whilst also educating and empowering individuals as they transform and optimise their health.

With a strong educational background and years of clinical experience Steve also formulates the Fit For Films supplement range and oversees the selection of the supplements promoted on the Fit For Films website, ensuring that what we offer are the very best formulations to achieve world-class results.

mastering compounds 2 bench press image

Mastering The Compounds Part 2: The Bench Press

If you want to add size and strength, you need to be in an environment where you can safely add load. No exercise can place quite as many pounds through the upper body as the bench press. This has made it the “go-to” exercise for trainees all around the world when it comes to building the chest, shoulders, arms and back.

The bench press is commonly known as the “comparative” lift. If you say you lift weights it’s usually met with the ubiquitous question “How much can you bench?”. Prior to going through my top 5 points on pressing technique, I’ll first address why how you bench is so much more important than how much you bench.

The Bench Press: Why are you doing it?

“The bench press is THE best possible exercise you can do for chest development”. Now if I were to 100% believe this to be true you’d probably notice I may also have short arms, wide clavicles and broad shoulders. In other words, I’m anatomically designed to bench press. I’m not saying for one second these are the features you have to have to press a lot, but they are the features needed to look like you press a lot.

When it comes to aesthetics, how we look is largely dictated by how we’ve been built. This means different individuals will respond differently to the same exercise. Choice of exercise for muscle growth is essential and you must pick what works best for your own anatomy. If you want to gain size, you don’t have to bench if you don’t notice your body responding to it.

The cues I will be teaching in this article are on how to move the most load. They may not be congruent to chest hypertrophy as that will depend on your own mechanics. What you will be learning here are powerlifting techniques so you can increase strength. So, without further a due…

1. Make the arms as short as possible

In powerlifting, the goal is to make the distance travelled by the bar as short as possible. This can be achieved by setting your body up in a way that maximises (or minimises) your own lever lengths. The base of the upper arm sits into your shoulder girdle. Your shoulder girdle can be depressed and retracted through muscles in your back. If the shoulder blades are maximally retracted, the distance travelled by the bar before it hits your sternum will be less. By pulling your shoulder blades as close to each other as possible, you are technically “shortening” your arms. This improves the overall efficiency of the movement.

2. Hide the Lats

This cue works well in tandem with cue 1. If you “hide the lats”, you will retract the shoulder blades by default. Hiding the lats also contracts the muscle, creating a strong base to push off. The front can only be as strong as the back allows it to. When the lats are contracted, it helps the shoulder girdle stay in a more optimal position to support the press. Before you take the bar out of the rack, think “are my lats tight and compact and ready to support the bar”.

3. Externally rotate the shoulders

External rotation is the clockwise rotation of the shoulder joint. To get a visual, say you were holding a bottle of water at arm’s length out to your side. If you kept your arm locked and poured the water out in front of you, this would be internal rotation. If you poured the water out behind you, this would be external rotation. When you externally rotate the shoulders, the ribcage will move upwards and back. This is useful as it works synergistically with retracting and depressing the shoulder blades.

Externally rotating the shoulders not only improves the strength of your base, it increases the surface area of the chest, meaning you have more muscle to press with. This is important for strength development, hypertrophy and long-term shoulder health.

4. Hit the same point every time

The key to getting better at something is perfect, purposeful practice. When it comes to weight training, maintaining a consistent bar path is essential for strength and skill development. If every time you train, the movement looks different, you won’t be exposing yourself to the same stimulus enough in order to get the desired response. When benching, the bar should hit the same portion of your chest every single time. A centimeter too high or low can restrict power and even cause injury if you lose concentration. Familiarise yourself with a point on the sternum that feels natural. I like to envision it’s glowing red hot so that I can easily gravitate the bar in that direction. Doing this cements the bar path in your nervous system, which in time will lead to the accumulation of strength.

5. Drive your head and shoulders back into the bench

One of the most underestimated muscles in strength training is the neck. Although it largely gets overlooked, the need for it to be strong is quite logical. Our spine is the power line of the body. Our spinal health is integral for muscle strength and development. If the muscles that surround our spine are weak, our spine is much more vulnerable.

When bench pressing, the load is placed directly over our cervical spine. Our cervical spine (neck region) contains vertebra that are much more delicate than the thicker lumbar discs near our pelvis. In order to protect this region, we must utilise the neck and upper back musculature as much as possible to create a stable base. To do this, drive your head and upper back into the bench. This will generate more activity in the muscles and allow a greater pressing force from the opposing muscles. When doing this, imagine you are pushing your body down and the bar is a static commodity. This will increase stability and improve positioning in the lift.

If you incorporate all these cues into your benching you will notice a stronger, smoother, more stable press. Remember though, these tips are so you can move the most load and may not be optimal for hypertrophy. Your growth response will be dictated by your genetics, work load and of course, recovery strategies.

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This article was written by Chris Knott.
You can read more of Chris’s articles and learn about his specialist areas and experiences using the link below.
More about Chris

Eunice Huthart - Stunt Coordinator

Eunice Huthart - Stunt Coordinator

“I am now back to the weight I was when I was kickboxing, my energy levels are the same as when I was 25 years old and my brain is so alert. I can guarantee one visit to Steve Grant from Fit For Films will change your life.”


Paul Lowe - Stunt Performer

Paul Lowe - Stunt Performer

“Steve from Fit For Films practices what he preaches and is a real friendly guy who is always there for advice and help if you need him. Glad I made the choice to see him and would advice anyone who is interested to see Fit For Films as well.”


Laura Michelle Kelly - Actress

Laura Michelle Kelly - Actress

“Fit For Films have helped me set and push my own limits and surpass them with great insightful practical steps tailor made for me. I’m extremely grateful they have helped me so much.”


Andy Pilgrim - Stunt Performer

Andy Pilgrim - Stunt Performer

“After multiple breaks in my tibia and fibula, having an operation where smashed up cartilage was removed from my ankle and 19 pins speared through my leg to scaffold my bones I knew pretty much straight away that the jam sandwiches on offer in the hospital ward weren’t going to get me fixed any time soon. I needed to get back to work and that would only happen after some serious bone growth… Enter Fit For Films who advised me on the best food choices for inflammation and healing and top quality supplement choices to speed up recovery. They were both empathetic and extremely knowledgeable to my case and I wouldn’t hesitate to use them again for any nutritional needs that I have.”

Contact us

If you have specific physique or health goals for a forthcoming production, or are perhaps just looking to optimise health, physical or mental performance, we aim to support you with this.

Please use the contact form below to get in touch and arrange a time for a call or a meeting to discuss your needs.

Fit For Films